Horror Host Sat Nights-Count Yorga, Return Of Count Yorga, The Deathmaster

Greetings, boils and ghouls! Welcome to tonight’s thrilling triple feature, brought to you by your host with the ghost—me! Tonight, we’re unearthing a blood-curdling bonanza of vampire mayhem with the one, the only, Robert Quarry, a man who could out-brood Dracula and still have time to polish his cape! So grab your garlic, your stakes, and maybe a neck brace, because we’re diving fang-first into Count Yorga, Vampire, The Return of Count Yorga, and The Deathmaster!  

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Count Yorga, Vampire (1970)  

Let’s kick things off with Count Yorga, Vampire, the film that put Robert Quarry on the undead map. This modern-day Dracula tale (well, modern for the ‘70s) features the suave and sinister Count Yorga, who’s got a taste for beautiful women and an aversion to wooden stakes. What makes this flick stand out is its creepy vibe, thanks to Yorga’s eerie Los Angeles lair and some genuinely unsettling scenes of his vampire brides lurking like feral cats in the dark.  

And that ending? Ooh, it’s as shocking as a lightning bolt on a stormy castle night! Quarry brings a devilish charm to the role, blending menace with just the right amount of smirking sass. Sure, the low-budget effects make it feel like it was filmed in someone’s basement, but that’s part of the fun! It’s pure Gothic goodness with a touch of 1970s kitsch.  

Rating:Three out of four fangs—a cult classic that still bites!  

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The Return of Count Yorga (1971)

Just when you thought it was safe to go outside at night, Yorga’s back and hungrier than ever! In *The Return of Count Yorga*, our favorite bloodsucker moves into a swanky mansion near an orphanage (uh-oh!) and wastes no time terrorizing the locals. This sequel cranks up the scares and the camp, with creepy fog-shrouded graveyards, screaming victims, and even more of Quarry’s deliciously evil charisma.  

But let’s not forget the highlight—a vampire bride in a wedding gown shambling through the night like a deranged Macy’s mannequin. Chef’s kiss! It’s like a Hammer Horror film crashed headfirst into 1970s California. The pacing drags a bit, and the plot is a smidge recycled, but who cares? It’s Yorga! He’s back, baby!  

Rating: Two-and-a-half fangs—less fresh, but still tasty.  

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The Deathmaster (1972)

Now we’re sinking our teeth into something a little different. In The Deathmaster, Robert Quarry trades in his Count Yorga cape for the role of Khorda, a groovy vampire cult leader who preys on a group of unsuspecting hippies. That’s right, folks—this time, the bloodbath is drenched in tie-dye and flower power! Quarry’s Khorda is like Dracula meets Charles Manson, and it works… mostly.  

The movie feels like it’s trying to be deep and meaningful, but let’s face it—when your vampire villain has a flock of bell-bottom-wearing minions, it’s hard to take things seriously. Still, Quarry’s performance is solid as always, and there’s an atmospheric weirdness that keeps things interesting. It’s not Yorga-level good, but it’s got a certain ‘70s charm that makes it worth a watch.  

Rating: Two fangs—it’s not killer, but it’s got bite.  

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Final Thoughts

Robert Quarry was the thinking man’s vampire—a smooth operator who could hypnotize you with a glance and kill you with a smile. Whether he’s Count Yorga or the groovy Khorda, Quarry brought a level of class and camp that made these movies unforgettable. 

Until next time, my children of the night—stay spooky and don’t forget to lock your windows! Mwahahaha!