Tuesday, July 1, 2025

Buzz Drainpipe’s Tune-In Tuesday Review:Combat Shock (Two-Disc Uncut 25th Anniversary Edition)Originally aired: 1986. Reissued: 2009. Reviewed: Right Now.



"The American Dream is in the gutter, twitching."

Forget your glossy synthwave nostalgia and VHS glow-up TikToks. Combat Shock is not here to be your aesthetic. It’s here to gut you, to scrape your eyeballs with reverb-soaked screams and visions of fetal mutations. This is Troma’s bleakest orphan, a movie that fell down the stairs of cinema history, cracked its skull, and kept bleeding—artistically.

Directed by Buddy Giovinazzo like he just got back from the last war of the soul, Combat Shock is Taxi Driver if Travis Bickle didn’t have a mirror to talk to. It’s Eraserhead if Henry lived in Staten Island with a bottle of Comet and a half-eaten can of beans. It’s nihilism with a camcorder, and somehow, it's still beautiful.


🎬 The Plot (Or: The Descent)

Vietnam vet Frankie returns to a decaying homefront: no jobs, a screaming wife, a melting mutant baby. His trauma isn't abstract—it’s literal. A slow rot. Every subway station is purgatory, every alley a hallucination. You watch Frankie walk, shiver, sob, sweat, and sink. There's no salvation. Just the click of a revolver and the long, cold fade.


💿 The 25th Anniversary Edition

This two-disc set isn’t just for collectors—it’s for the devout. The uncut version (“American Nightmares”) adds more bruises to an already battered film, including grainier VHS aesthetics and unflinching finality. Bonus features include:

  • Giovinazzo interviews where you can see the pain still in his eyes

  • Audio commentary like a confession booth on fire

  • Short films, photo galleries, liner notes from people who didn’t look away

It’s a film school in hell, packed into 190 minutes of existential rot and street-level despair.


📼 Final Thoughts

Combat Shock doesn’t play nice. It doesn’t entertain. It indicts. It's not the midnight movie you laugh through—it's the one you stare into long enough to see yourself dissolve.

“You want a hero? You get a father feeding his baby death in a bottle.”

This isn’t exploitation. It’s expressionism dragged through Reagan-era slums and shot with the last battery on a dying camcorder. It’s cinema for those who’ve seen the cracks in the American sidewalk and heard them whisper.

5 out of 5 melted cribs.

—Buzz Drainpipe, CREASE Magazine: Tune-In Tuesday, April 2009 (Reprint 2025)